In 2006, I cleared the forest and built a museum that followed the shapes of the wind and light. I created the building, the garden, and the objects on display with my own hands. The racing cars and Ondo Martono on display breathe life into my journey through sound and form.
From this place, I now send the "Ondomo" born at the Asakusa Electronic Instrument Workshop out into the world. This site is where I convey my passion for craftsmanship to those who are already connected,and to those I will meet in the future.
Besides words, there are various tools for communicating with people.
Paintings, poetry, Music, for example.
When we learn about the creators of these works and their personalities and histories.
We feel happiness.
I want this to be a place where we can experience that happiness.
It would be even better if we were on the same wavelength.
Racing Car...
They are the tools drivers use to take stop-and-go driving to the limit.
Ondes Martenot...
It is a tool musicians use to express their feelings and thoughts through sound.
They meet within the same wave.
They set out in search of new encounters.
Looking forward to new encounters.
Kashima no Mori Art Cube
Director: Naoyuki Omo
Racing Car F-3 XO RACING
Honda, Toyota, and Nissan all have the same design.
When you open the hood, you'll see someone else's engine.
I've seen this switch before; it's a shared part.
Racing is a war between manufacturers, but what are they fighting for? Their image?
Does replacing the badge on a Renault engine make it a Nissan engine?
What happened to Soichiro Honda?
Racing car with a Honda Mugen engine and a Hewland gearbox.
Dallara chassis, Brembo brake calipers?
Is this really racing if they're all the same?
The F-3XORACING engine, gearbox, and chassis are 100% original.
Hey, what's the point of getting so worked up?
Humans take one step at a time, and humility is important. No matter how much you rush, you can't suddenly go faster.
What's important is building up step by step.
He taught me that.
Analog electronic instrument
"Ondes Martenot"
6AU6, 6BQ5, OA2, and 6X4. These are the tubes I used to make the superheterodyne radio.
I'm excited! This is what I love: a world where I can play by myself, undisturbed.
Experience? I have more than enough.
Since I was three years old.
In my old neighborhood, vacuum tube radios, televisions, and stereos were discarded at the dump every day.
It was right around the time of the transition to transistors, and I was excited and thrilled every day.
I would pick them up, take them apart, and put them back together. Until recently, I was a hidden otaku in Akihabara.
I'm not bragging, but I'm the world's best solderer.
Maybe I could conquer the world with soldering! I was excited and thrilled.
Hey, don't get so excited just because you're sitting alone in your room!
The Ondermartono is an instrument.
It's played by musicians, right? To make an instrument, you have to be gentle with people.
You also have to understand the hearts of musicians better.
Then, you can produce a gentler sound.
He taught me that.
Nao's BLOG
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ASADEN
(Asakusa Electronic Music Instrument Workshop)
To visit Ondomo, click here.
ASADEN focuses on researching and developing the warm sounds that can only be produced by analog instruments, with a particular emphasis on the Ondes Martenot.